They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. One did no good by suppressing one’s nature. In the end it proved too strong. Marriage with Arthur would be only repeating the mistake. To be worshipped, to be served. It would be very pleasant, when one was in the mood. But it would not satisfy her. There was something strong and fierce and primitive in her nature—something that had come down to her through the generations from some harness-girded ancestress—something impelling her instinctively to choose the fighter; to share with him the joy of battle, healing his wounds, giving him of her courage, exulting with him in the victory.!

“Poor Mary!” he said. “I should not have talked before her if I had thought. Her horror of war is almost physical. She will not even read about them. It has the same effect upon her as stories of cruelty.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.

“They afford much food for reflection,” thought Mr. Simson, “though I cannot myself go as far as you do in including Christianity under that heading.” “You are a wicked God,” Joan told Him. “Yes, You are. A cruel, wicked God.” “Oh, a little,” she answered. “He’s absolutely sincere; and he means business. He won’t stop at the bottom of the ladder now he’s once got his foot upon it.”